AN EXPERIENCE FROM DANCE: TOWARDS THE RESCUE OF THE BODY AND THE CREATION OF THE IMPOSSIBLE PRESENT

Main Article Content

Hillary Scarlett Anderson
María Fernanda Jara Rodríguez

Abstract

We want to provide a comprehensive perspective of our training process from an artistic practice such as dance, and the concerns raised during our philosophical training about the philosophy-dance relationship; in other words, the relationship between our thought and body. In this sense, the present work is the appetizer of an investigation that we began taking into account our experience in the Representative Group of Spanish and Flamenco Dance of (GRI) the National Pedagogical University of Colombia (UPN) and the academic training as graduates in philosophy. . Likewise, we want to share with you what we have learned in this time and be able to transmit to you the synthesis of what has been acquired in many rehearsals and presentations that have been and will be. We hope that the laughter, the tension, the efforts, the bodily pain, our reflections, the vitality, the sensations reach them; in short, everyone's eyes.

Article Details

How to Cite
Anderson, H. S., & Jara Rodríguez, M. F. (2017). AN EXPERIENCE FROM DANCE: TOWARDS THE RESCUE OF THE BODY AND THE CREATION OF THE IMPOSSIBLE PRESENT. TRAZOS – Revista De Estudiantes De Filosofía, 2(1), 82-93. Retrieved from https://memoriaeuropae.unsj.edu.ar/index.php/trazos/article/view/791
Section
Ponencias

References

Anderson, H. S. (2016). Perspectivas cuerpo y danza. Entrevista a los integrantes del GRI, Universidad Pedagógica Nacional [Archivo de video]. Copia en posesión del autor.
Badiou, A. (s.f). La danza como metáfora del pensamiento. Recuperado de http://www.mxfractal.org/RevistaFractal50AlainBadiou.html
Bardet, M. (2012). Pensar con mover. Un encuentro entre danza y filosofía. Buenos Aires: Cactus.
Cifuentes, L. A. (2000). Cuerpo y filosofía en el Zaratustra de Nietzsche. Universitas Philosophica, 34-35, 179-207.
Escudero, M. C. (2013). Cuerpo y danza: una articulación desde la educación corporal [Tesis de maestría]. Universidad de la Plata, Argentina.
Humberman, G. D. (2008). El bailaor de soledades. España: Pre-Textos. Jenofonte. (1993). Banquete. Madrid: Gredos.
Nietzsche, F. (1994). Así habló Zaratustra: un libro para todos y para nadie. Bogotá: Panamericana.
Sourieau, E. (2008). Diccionario Akal de Estética. Madrid: Ediciones Akal.
Valéry, P. (S.f.). Filosofía de la danza. Revista de la Universidad de México. Recuperado de http://www.revistadelauniversidad.unam.mx/ojs_rum/files/journals/1/articles/15189/public/15189-20587-1-PB.pdf