Movies seem to have a fantastic ability to put us in check without saying a word. It makes us say, give meaning to that spectral sequence of images that, if they have them, seem to be fleeting. We ask ourselves, then, about a possible relationship between the philosophical exercise and the filmic exercise. What ways do we have of watching cinema? What can we do with the contribution made by film productions? What does a film do to us when we see it? What replicas does it leave in our bodies? Are we talking about a discipline and an art? Can we continue to think of cinema as art or is it that the film industry has devoured the artistic? These are just a few approaches taken from the inexhaustible possibility of thinking, questioning, perceiving that thing with diffuse limits, but definitely powerful that is cinema.